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Presents... Brian Culbertson & Norman Brown at the Keswick for Deborah Children of the World on May 4th, 2002.

Norman Brown    Celebration, Norman Brown’s fourth album and Warner Bros. Jazz debut, lives up to its name, delightfully expanding the boundaries of an already wide-ranging talent, encompassing R&B, jazz, pop, funk, Afro-Caribbean and Latin flavorings, and featuring the artist as both instrumentalist and vocalist.
     Norman Brown’s atmospheric guitar stylings have won him ardent admirers, an enduring presence on jazz charts and a bounty of industry awards. His first album sold an impressive 150,000 and his follow-up album, After The Storm, was named Jazz Album Of The Year by both Gavin and Soul Train, remaining on the charts for over two years, edging its way towards gold. Release number three, Better Days Ahead, garnered him a 1997 American Jazz Award for contemporary guitar, and the album’s title track and first single was the most-added in NAC history up to that point.
     Celebration continues Brown’s penchant for writing and recording music that is highly rhythmic, melodically ascendant and always delivers a laidback lift. Norman Brown produced four of Celebration’s ten tracks: the jubilant title song which serves as the perfect vehicle to showcase his amazing artistry, the harmonically rich "Breaking Out," plus the vocally infused "It’s Time For Love" and "Getting’ By." Oji Pierce (Coolio, Montel Jordan) did the honors on The Stylistics 1974 hit and romantic classic "You Make Me Feel Brand New," an ensemble piece featuring vocals by Norman and labelmates Kena, Nakia and Karen of Phajja. Noted producer Paul Brown oversaw the balance of Celebration’s tracks, including a cover of SWV’s "Rain"; "Paradise," with guest artist Rick Braun on muted trumpet; "Together," a sequel to Brown’s previous release "Let’s Come Together" from his second album After The Storm; the infectious "Out’a Nowhere" and "Never Again," the latter showcasing Norman’s expressive vocalizing.
     Brown is as much known for his powerful live performance and party-vibe onstage as he is for his tasty chart-topping releases. His name is mentioned in the same sentence with master guitarists Wes Montgomery and George Benson and reviewers shower him with adjectives like "ultra-funky," "smooth," "agile," "hot," "exciting" and "exceptionally gifted." Brian Soergel of The Press Enterprise described the artist’s music, saying, "The sinewy, sliding melodic lines wrap themselves around steady percussion. Up-tempo grooves and smoldering love songs. Occasional wordless vocals float over the intoxicating brew. It’s a sound as smooth as thick taffy wrapped around a stick." Bill Kohlhaase, in a special to the L.A. Times, wrote of a typical Norman Brown set, "Not only did Brown’s solos spit and steam, they told a story, carrying a lyricism that belied the frenzy of his presentation. Even the most accessible and direct material, such as Brown’s ‘After The Storm,’ reverberated with strength and string-picked excitement as he moved into improvisational mode."
     His impact on audiences and critics reflect a lifelong passion for his instrument. Norman hasn’t been far from a guitar since he was eight years old, when the Kansas City native fell in love with his brother’s acoustic 6-string. His brother, recognizing Norman’s authentic interest, handed over the instrument to him and took up the drums. Steeped in the music of Jimi Hendrix, The Isley Brothers and Kool and the Gang, Brown’s direction took a turn when he heard guitar player Wes Montgomery for the first time and experienced an immediate connection with his music. Brown’s father was also a Montgomery fan and would challenge him [Norman] to learn Wes’s songs by holding out the promise of a car for the night and other such rewards. Norman observes, "It actually motivated me enough to really go ahead and learn how to play the style that I had fallen in love with. That’s how I got started on my musical journey. From there I played with local bands, doing material by Earth, Wind And Fire and other R&B acts, ultimately ending up in a quartet, playing a lot of contemporary jazz tunes, along with some standards."
     In the mid-’80s, Brown relocated to Los Angeles to study music formally at the Musician’s Institute in Hollywood. After graduating, he became an instructor on staff at the institute and hooked up with the short-lived MoJAZZ label, recording three enormously successful and critically-acclaimed solo albums, before segueing to his current association with Warner Bros. Records Jazz.
     With his Warner debut, Brown is celebrating. "I’m very happy. I feel appreciated. I feel like they believe in what I’m doing and that there are no limits here…and that’s very comforting." That feeling spills over into the music of Celebration. "I’ve tried to give my fans what they would expect, which is great guitar playing, energetic music…and just real legitimate material. I also try to give them something else, something indefinable. Between Matt Pierson (Warner Jazz, Senior Vice President) and myself, we thought, with this lineup, we’d be offering listeners the most!"
     Celebration is replete with the ‘most.’ The title song delivers the most energy, motion, emotion and festival fun, while Norman’s R&B offering "You Make Me Feel Brand New," really is brand new as Norman duets with Phajja for the most sultry and playful romance. His compositions "Out’a Nowhere," and "Paradise" vie for the most melodic, while "Breaking Out" with Norman scatting in unison to his own guitar licks and brilliantly performing single-note, chordal and octave runs is the most reflective of Brown’s current outlook.
     He comments, "‘Breaking Out’ is a song that I wrote many years ago, and it didn’t make any of my CDs and I really thought it should have. This time around, Warner Bros. agreed. It was the opportune time to bring it out and it’s kind of symbolic of me breaking out into a new flow."
     With Celebration, Norman Brown definitely breaks out and up, taking his fast, fluid digits and ear-friendly guitar to a new level. On his debut Warner release, what he says of himself is made imminently clear. "You know, I just have a deep appreciation and great love for music. I’ve had it all my life and I know I’ll always continue to have it." His enthusiasm is contagious and gives those who share his appreciation, reason to celebrate. 

Call CJ DiRoma at 856-665-5513 for more information and availability

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