Alton
Glenn Miller was born in Clarinda, Iowa on March 1, 1904. But it was in North Platte,
Nebraska, several years later that Glenn actually got his musical start when, one day, his
father brought home a mandolin. Glenn promptly traded it for an old battered horn, which
he practiced every chance he got. In fact his mother worried, "It got to where Pop
and I used to wonder if he'd ever amount to anything."
 In 1923, Miller entered the
University of Colorado, although he spent more time traveling to auditions and playing
where and whenever he could. After flunking three of his five courses one semester, Glenn
dropped out to concentrate on his career as a professional musician.
He toured with several orchestras and ended up in Los Angeles
where he landed a spot in Ben Pollack's group, a band that included a guy named Benny
Goodman. Here, Miller also got the chance to write some arrangements. Arriving in New York
City, he soon sent for, and married his college sweetheart, Helen Burger in 1928, and for
the next three years, earned his living as a free-lance trombonist and arranger.
Miller played and recorded with the likes of Tommy and Jimmy
Dorsey (who on several of their records, featured an up-and-coming singer by the name of
Bing Crosby), Gene Krupa, Eddie Condon and Coleman Hawkins. In addition, during that time,
Glenn cut 18 sides for Goodman, and also worked for radio studio conductors like Victor
Young, Carl Fenton and Jacques Renard. In 1934, Miller became the musical director of the
Dorsey Band, and later went on to organize The Ray Noble Orchestra, which included such
players as Charlie Spivak, Peewee Erwin, Bud Freeman, Johnny Mince, George Van Eps and
Delmar Kaplan, among others.
In April 1935, Glenn Miller recorded, for the first time, under
his own name. Using six horns, a rhythm section and a string quartet, he recorded
"Moonlight on the Ganges" and "A Blues Serenade" for Columbia. But
selling only a few hundred records, he continued his position with the Noble Orchestra.
In 1937, Glenn Miller stepped out to form his own band. There
were a few recordings -- one for Decca and one for Brunswick -- a couple of week-long
stints in New Orleans and Dallas, and many one-nighters, but it was not to be. Though the
group would play one more date several days later in Bridgeport, Connecticut, Glenn gave
his men their final notice on New Year's Eve at the Valencia Ballroom in York,
Pennsylvania. Broke, depressed and having no idea what he was going to do, he returned to
New York City.
It is said that Miller could never remember precisely the moment
he decided to emphasize his new reed section sound. But it was during this disheartening
interim, that he realized the unique sound -- produced by the clarinet holding the melodic
line while the tenor sax plays the same note, and supported harmonically by three other
saxophones -- just might be the individual and easily recognizable style that would set
his band apart from all the rest.
Formed in March 1938, the second Glenn Miller Orchestra -- which
would later include the likes of Tex Beneke, Marion Hutton, Ray Eberle, Paul Tanner,
Johnny Best, Hal McIntyre, and Al Klinck -- soon began breaking attendance records all up
and down the East Coast. At the New York State Fair in Syracuse it attracted the largest
dancing crowd in the city's history. The next night it topped Guy Lombardo's all-time
record at the Hershey Park Ballroom in Pennsylvania. The Orchestra was invited by ASCAP to
perform at Carnegie Hall with three of the greatest bands ever -- Paul Whiteman, Fred
Waring and Benny Goodman -- and created more of a stir than any of them.
There were record-breaking recordings, as well, such as
"Tuxedo Junction", which sold 115,000 copies in the first week. "In the
Mood", and "Pennsylvania 6-5000", all appearing on the RCA Victor Bluebird
label. In early 1940, Down Beat Magazine announced that Miller had topped all other bands
in its Sweet Band Poll, and capping off this seemingly sudden rise to the top, there was,
of course, Glenn Miller's "Moonlight Serenade" radio series for Chesterfield
cigarettes which aired three times a week over CBS.
In 1941, it was off to Hollywood where the band worked on its
first movie, "Sun Valley Serenade", which introduced the song -- and soon-to-be
million selling record --"Chattanooga Choo Choo", and featured the Modernaires
and the Nicholas Brothers. Then came "Orchestra Wives". But the war was starting
to take its toll on many of the big bands as musicians, and the rest of country's young
men, began receiving draft notices.
On October 7, 1942, Alton Glenn Miller reported for induction
into the Army and was immediately assigned to the Army Specialist Corps. His appointment
as a Captain came after many months of convincing the military higher-ups that he could
modernize the army band and ultimately improve the morale of the men. His training
complete, he was transferred into the Army Air Corps, where he ultimately organized the
Glenn Miller Army Air Force Band. Miller's goal of entertaining the fighting troops took
another year to be realized, but in late 1943 he and the band were shipped out to England.
There, in less than one year, the Glenn Miller Army Air Force
Band engaged in over 800 performances. Of these, 500 were broadcasts heard by millions.
There were more than 300 personal appearances including concerts and dances, with a gross
attendance of over 600,000. But Glenn was not to participate in the final six months of
these activities.
In the Fall of 1944, the band was scheduled to be sent on a
six-week tour of Europe and would be stationed in Paris during that time. Miller decided
to go ahead, in order to make the proper arrangements for the group's arrival. And so, on
December 15th, Glenn Miller boarded a transport plane to Paris, never to be seen again.
In his book "Glenn Miller & His Orchestra", George
Simon wrote this about the man. "His favorite author was Damon Runyon. His favorite
book was the Bible. Spencer Tracy and Olivia de Havilland were his favorite movie actor
and actress. His big loves were trout fishing, playing baseball, listening to good music,
sleep and money. His pet hates were bad swing, early-morning telephone calls (he liked to
sleep from 4 a.m. to noon), and the phrase 'goodbye now'. His favorite quotation, one he
stated, was not from the Bible, nor from Runyon, but from Duke Ellington: 'It Don't Mean a
Thing If it Ain't Got that Swing!'
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